Intonação
Intonação
American Speech Music
As we all know, English conveys very specific information, such as how to get somewhere or what someone is doing. It can be also used beyond the exact meaning of the words to indicate how the speaker feels about what he is saying, or how he personally feels at that moment.
Generally speaking, if English is not your first language, this is where you start running into difficulty. Even if you pronounce each word clearly, if your intonation patterns are non-standard, your meaning will probably not be clear. Also, in terms of comprehension, you will lose a great deal of information if you are listening for the actual words used.
Each language deals with expressing these emotional ranges and contextual importances in different ways. Some languages, such as French and other Romance languages, stress the end of a sentence, and then use word order to indicate an important change. Other languages, such as Chinese, have a pitch change that indicates different vocabulary words, and then superimpose further pitch change to change meaning or emotion.
Because English has a fairly strictly fixed word order, it is not an option to rearrange the words when we want to make a point about something. Intonation in American English is the rise and fall of pitch in order to convey a range of meanings, emotions or situations, within the confines of standard grammar and fixed word order. The intonation aspects of grammar are explained in compound nouns and complex grammar.
There are six major aspects of intonation in American English:
New Information
This is the starting point of standard intonation. When
we say that we need to stress the new information, it is
logical to think, "Hmmm, this is the first time I'm
saying this sentence, so it's all new information. I'd
better stress every word." Well, not quite. In
standard English, we consider that the nouns carry the
weight of a sentence, when all else is equal. Although
the verb carries important information, it does not
receive the primary stress of a first-time noun.
Dogs eat
bones.
After the information has been introduced, or is being
repeated through the use of pronouns, the intonation
shifts over to the verb. Notice how the intonation
changes when a sentence changes from nouns to pronouns:
Dogs eat bones.
They eat them.
Phrasing In addition to the intonation of a statement, there is another aspect of speech that indicates meaning -- phrasing. Have you ever caught just a snippet of a conversation in your own language, and somehow known how to piece together what came before or after the part you heard? This has to do with your natural understanding of phrasing.
In a sentence, phrasing tells you where the speaker is at the moment, where he is going, and if he is finished or not. Notice that the intonation stays on the nouns.
Statement Stress the nouns and let the tone fall at the end of the sentence.
Dogs eat bones. First Half, Second Half The first half of a sentence usually sets up the second half:
Dogs eat bones, but cats eat fish.
Intro Phrase When you want to preface your statement, use a rising tone:
As we all know, dogs eat bones. Listing With more than one item in a list, all but the last one have a rising tone:
Dogs eat bones, kibbles and meat.
Question A regular question goes up (compared with a statement), but drops back down at the end. Do dogs eat bones? Repeated Question A repeated, rhetorical or emotional, question goes up, and then up again at the end:
Do dogs eat bones?!! You'll notice, of course, that the dogs-eat-bones sentence uses simple nouns and simple verbs. An extremely important part of intonation is compound nouns and complex verb tenses.
Contrast
Once the intonation of new information is established,
you'll soon notice that there is a pattern that breaks
that flow. When you want to emphasize one thing over
another, you reflect this contrast with pitch change.
Notice how the intonation indicates contrast:
Bob studies English.
Bob studies English, but he doesn't use it. If a person consistently stresses "contrast words" as opposed to "new information words", he can end up sounding permanently argumentative:
I said it is good. He doesn't like it. Where are you going? Additionally, mixed messages occur when modals or verbs of perception are stressed -- you end up with the opposite meaning!
People should
exercise more, but . . .
They would help us, if . . .
It looks like Chanel, but at that price, it's a
knock-off.
He seems like a nice guy, but once you get to know
him. . .
Meaning
A good exercise to demonstrate the variety of meaning
through intonation changes is to take a single sentence,
try stressing each word in turn, and see the totally
different meanings that come out.
1. I
didn't say he stole the money.
2. I didn't say he stole the money.
3. I didn't say he stole the money.
4. I didn't say he stole the money.
5. I didn't say he stole the money.
6. I didn't say he stole the money.
7. I didn't say he stole the money.
Once you are clear on the intonation changes in the seven
sentences, you can add context words to clarify the
meaning:
1. I
didn't say he stole the money, someone else said
it.
2. I didn't say he stole the money, that's
not true at all.
3. I didn't say he stole the money, I only suggested
the possibility.
4. I didn't say he stole the money, I think
someone else took it.
5. I didn't say he stole the money, maybe he just borrowed
it.
6. I didn't say he stole the money, but rather
some other money.
7. I didn't say he stole the money, he may have
taken some jewelry.
Pronunciation
In any language, there are areas of overlap, where
one category has a great deal in common with a different
category. In this case, intonation and pronunciation have
two areas of overlap. First is the pronunciation of the
letter T. When a T is at the beginning of a word (such as
table, ten, take), it is a clear sharp sound. It is also
clear in combination with certain other letters, (contract,
contain, etc.) When T is in the middle of a word (or in
an unstressed position), it turns into a softer D sound.
(This is covered in more detail in pronunciation.)
Betty bought a bit of
better butter.
Beddy bada bida bedder budder. It is this intonation/pronunciation shift that accounts for the difference between photography (phoTAgraphy) and photograph (PHOdagraph).
Mood &
Personality
This is an extremely important aspect of intonation, as
it goes beyond what you are trying to say--it dictates
how your listener will relate to you as an individual--if
you will be considered charming or rude, confident or
nervous, informed or unfamiliar. An extremely important
part of intonation is inside a one-syllable word.
Intonation in a one-syllable word? Isn't that a
contradiction in terms? No, we put in little sounds that
are not in the written language, but that convey a great
deal of information in terms of who we are. (These extra
sounds are explained in liaisons.)
When we contrast two similar words, one ending with a voiced consonant (d, z, g, v, b) and the other with an unvoiced consonant (t, s, k, f, p), you will hear the difference in the preceding vowel, specifically in the length or duration of that vowel.
Simply put, words that end in a voiced consonant have a doubled vowel sound. For example, if you say bit, it is a quick, sharp sound--a single musical note. If you say bid, however, the word is stretched out, it has two musical notes, the first one higher than the second, bi-id. pronunciation
FOnte: http://www.americanaccent.com
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